Spotlight on the Small Ones: Zneefrock Productions

Jonathan Fong


In one of my earlier articles on this blog, I praised the smaller, less-known side of theatre—community theatre, amateur dramatics, high school theatre, etc — and how much they truly bring to the theatrical community as a whole. In line with that, I figured I’d start a little series of articles to do just that—put a spotlight onto the lesser-known theatre companies, organizations and people who make theatre what it is.

Zneefrock Productions, based in Woodmere, New York, is a youth theatre company that embodies everything that youth and the next generation bring to theatre. Founded by (then-12 year old) Andrew Feldman in 2014 (yes, the Andrew Feldman that’s currently starring in Dear Evan Hansen on Broadway), it has grown from a simple Bar Mitzvah project of a cabaret of showtunes to an established company who’ve performed everything from fully-fledged licensed productions of big musicals like Seussical and Be More Chill to concert performances akin to their first and even original musicals. And it’s run by teenagers.

They have a mission. The company raises money for, among other organizations, NEXT for AUTISM, an organization supporting people with autism across America in societies and communities; Feldman, who has a cousin with autism, explains in an interview on Odyssey that donating to them was “the obvious choice”. Run by teens at the forefront of the social movements of today, the company draws attention to the social dynamics of modern society in their productions. Their aforementioned production of Seussical, in Feldman’s own words, was a “re-imagining…more stripped-down and socially conscious”, while their novel production of The Last Five Years featured a rotating cast with differing gender pairings, with some performances done traditionally and others with one or both of the two main characters of Jamie and Cathy gender-swapped to explore the differences in gender dynamics caused by the flipping of gender roles and expectations on their head, even if within the confines of the same story.

They don’t mess around either. Their first original musical, a Star Wars parody named SW: A New(sical) Hope written by Feldman and Adrian Dickson, is a full hour and forty minutes long with an intermission to boot (an official recording of the full show can be found on YouTube). They’ve professionally recorded cast albums for their shows—their cast recording for A New(sical) Hope can be found on Soundcloud. And as a non-profit theatre company, they’ve raised over $21,000 US in support of autism-supporting organizations; their very first cabaret raised a thousand dollars for the cause, while more recently their production of Seussical raised $5000 and their production of Be More Chill, staged right before the show’s current Broadway run, raised a full $9000.

The point is—Zneefrock is what theatre should be. Not flashiness or money—they, driven not by money nor visual spectacle but by the society and social movements of today, demonstrate the power of youth. Not just within the theatre, but of theatre itself, in helping those among us in need and putting a spotlight on the chasms and gaps in modern society which need addressing. And with members of their company going on to achieve great things already out there in the world of professional theatre, there’s no doubt that they’re a force to be reckoned with, no matter how small they may appear to be.