Musical Adaptation Idea: A Monster Calls

Darren Wildeman
In this day people are sick of seeing Hollywood movies remade for the stage, and of seeing so many direct adaptations. It’s understandable, musicals have almost always been adapted from material but there is something special about seeing a brand-new idea done for the stage. However, that being said I’m going to propose to you an idea for an adaptation. This is a show that I absolutely need to see as a musical because I think it would be beautiful and heart wrenching.


A Monster Calls

The first thing I’m going to point out is this show would not be a typical Hollywood movie to stage adaptation. For one thing, it was also a novel so aspects of it could be based on that. For another it wasn’t even a Hollywood movie; at least not in the traditional sense. It was produced by Universal, but the director is Spanish and its big release dates were in Spain and the UK. Finally, it had a relatively modest budget at just $43M (and brought in $47M) when an average American Hollywood Blockbuster starts at around $100M. This was not your typical big Hollywood American release; and for that reason, would not be a typical Hollywood adaptation. That alone would already make bringing this to Broadway different from other movie adaptations.

That’s all the budget and background info on this movie, but what about it do I think would make it a good musical?

Let’s take a good look at the story. It follows a boy named Connor O’Malley and him having to accept the realities that his mother is sick. He continually assures himself that he will get better. However, throughout this process he meets a monster. However, this monster isn’t just a typical scary monster you get in a fantasy story. This monster was a yew tree in human form. And this tree comes to Connor to tell him three stories and teach him some lessons. These stories are all fables of sorts. Stories where sometimes it’s hard to tell who the good guy is, stories that show not everything is in black and white, and most importantly stories that will directly impact Connor’s life. Connor has his own story to tell, and after the yew tree tells Connor his three stories, he wants to hear Connor’s story. A story that pertains to a recurring nightmare Connor has, a story that pertains to Connor’s sick mother, and a story however painful it might be to tell that might help heal Connor’s soured relationship with his grandmother.

If you haven’t seen the movie it might be hard for you to see what I’m picturing. The reason I think this might work so well is it would be a scaled back, intimate, heartfelt story on stage, that still has some of the spectacle and magic theatre audiences love. The intimate musical has really made a strong case in recent years. Picture a show that’s scaled back and somewhat minimalistic. In a similar style of a musical like Once, Next to Normal, or The Band’s Visit. It’s a tense family, a family that’s experienced, divorce, now a sick mother, and a grandmother who has tense relationships with her daughter and grandson. It’s a story about how when everything falls apart it can still come together. However, it also has some spectacle in a giant monster, and talking yew tree. It’s a musical that could show real human pain and emotion, but also a musical that would have an added dollop of whimsey and magic, in a story telling humanoid tree that really tries to help people and will help teach Connor some lessons he desperately needs to learn.

I think this story hits a lot of the nails on the head of what people look for in a musical. It has a deep story, but also has the potential for some spectacle which people love. Multiple characters go through a full, fascinating character arc, which is also something desirable. Also, it isn’t a story that is too complex either that could be lost on the stage.

I think A Monster Calls would become the musical that many people didn’t know they needed.